"The theme of the Pandemic was chosen due to the times we are living in"

There's a strange contradiction to Film Festivals endemic to their very existence

It’s frustrating although not entirely unexpected to have to move our event around

We’re not getting to South Africa anytime soon, so the South African Film Festival brought it here

“The very first year for the second time”

The particular focus of The Godmother is a refreshing one

Set in Latvia on the eve of the Second World War and amidst the then Latvian dictatorship, a local, Christian sign painter finds himself in love with a Jewish girl

“Necessity is the mother of invention"

Set on an English shore less than typically idyllic against the impending Nazi blitz, a child is evacuated from London and lodged with Alice

“A lot of Festivals cancelled because of COVID so it’s a real testament that you went ahead this year”

“The World’s Best Film” doesn’t need to be the world’s best film, nor is the title as audacious as it sounds

There’s a lot to unpack here

“The response from our audience has been fantastic"

It’s the mark of a great thriller when it hits the most well-worn horror tropes and you barely notice

Those famous aren’t always known for their greatest achievements

"My son turns around to me and says, take it online, go for it"

"We want to see what that world looks like from each individual’s perspective"

"It's a wonderful opportunity for our audience to engage with the culture of these Festivals"

"This is our contribution to pushing back against COVID-19"

A lot can happen in a week

It's a concerning time for the Australian industry with a number of Film Festivals cancelling or postponing events

You’re going to hear a lot about how Queen & Slim is a lot like other movies, except it’s not.

The 31st Alliance Francaise French Film Festival is almost here and like the cheese and wine in tow the movies are reliably promising; here’s a few picks to see us through March

First thing’s first; H.G. Wells this is not

“When we started Static Vision, our main goal was to bring out audacious and experimental films that were either too small, too challenging or off-the-radar of Sydney's general Festival circuit”

“The thing that I found so exciting about programming the festival was that for a film to be a piece of fantastic cinema it doesn’t need to align with any conventional festival criteria”

It was weird

There’s something really important (mostly) missing from A Hidden Life; peculiar for a film with so much

Now entering year 29, Flickerfest has launched into action at its local home and mainstay the Bondi Pavilion

The problem with ‘Jojo Rabbit’ isn’t that it’s offensive. It isn’t offensive, it’s just that it’s not especially good